幻灯片:视觉艺术硕士论文展览

山姆福克斯设计学院华盛顿大学圣路易斯分校2019年视觉艺术硕士学位论文展览展示了17名毕业生的作品。各种媒体的作品探索的主题，如种族政治，性别的作用，日常诗学和乌托邦或反乌托邦的未来。

特约艺术家有:萨拉·阿德科克、格雷格·贝利、珍·埃弗雷特、萨拉·加齐·阿萨道拉希、海蒂·哈特、埃利奥特·海德、劳拉·海德、米吉、蕾切尔·卡尔曼、蕾切尔·莱博、凯文·麦考伊、布莱恩·佩奇、雨果·帕托、科拉·林德·罗森科恩、珍妮·斯塔姆、宝拉·史蒂文森和王林荣。

展览由米尔德里德巷肯珀艺术博物馆(Mildred Lane Kemper Art Museum)副馆长梅雷迪思·马龙(Meredith Malone)策展，将于7月12日在切罗基大街2701号的Luminary展出，详情请访问samfoxschool.wustl.edu。摄影师卡罗尔·格林在展览中捕捉到了这幅作品。

瑞秋·莱博，我忘记了故事的其余部分。:“2019只。布面油画。 Lara Head, "Two vessels,” 2019. Porcelain, Khadi black rag paper and waxed linen thread.

Lara Head, “Two，“2019”。瓷器，卡其黑碎布纸和上蜡亚麻线。 Three works by Sara Ghazi Asadollahi. From left: “Silence,” cement, Plexiglas and LED light; and “Crevice” and “Niche,” both oil on canvas, all 2019.

Three works by Sara Ghazi Asadollahi. From left: “Silence,” cement, Plexiglas and LED light; and “Crevice” and “Niche,” both oil on canvas, all 2019.

三幅作品，作者萨拉·加齐·阿萨道拉希。从左起:“沉默”水泥、有机玻璃和LED灯;《缝隙》(Crevice)和《利基》(Niche)都是布面油画，均于2019年出版。 Janie Stamm, "June 12, 2016,” 2019. Felt, thread, glass beads, yarn and disco ball.

Janie Stamm, "June 12, 2016,” 2019. Felt, thread, glass beads, yarn and disco ball.

Janie Stamm, “6.12 2016，“2019。采购产品毛毯，线，玻璃珠，纱和迪斯科球。凯文·麦考伊， Kevin McCoy, detail from "He that increases knowledge increases sorrow,” 2019. Foil, vintage cardboard file boxes, Plexiglas, World War II-era poplar wood, fabric and thread.

Kevin McCoy, detail from "He that increases knowledge increases sorrow,” 2019. Foil, vintage cardboard file boxes, Plexiglas, World War II-era poplar wood, fabric and thread.

《增加知识增加悲伤的细节》，2019。采购产品箔纸，老式纸板档案盒，有机玻璃，第二次世界大战时期的杨木，织物和线。 Bryan Page, "Jesse (Writhing)” and “Pax (Writhing),” both 2019. Digital animation with motion-activated triggers.

Bryan Page, "Jesse (Writhing)” and “Pax (Writhing),” both 2019. Digital animation with motion-activated triggers.

Bryan Page, “Jesse (Writhing)和Pax (Writhing)，都在2019年上映。带有动作激活触发器的数字动画。 Elliot Head, "19mm,” 2019. Found image on tape.

艾略特头，“19毫米，“2019。在磁带上找到图像。《逃离士兵的“》(修订版)，《2019》。在12个面板上涂油。 Greg Bailey, eight works from the “Future Relics” series. On wall: "Future Relics: Monument 4,” “Future Relics: Monument 8” and “Future Relics: Monument 5"; charcoal on paper. On floor: “"Future Relics: 2,” "Future Relics: 1," "Future Relics: 4" “Future Relics: 5” and "Future Relics: 3”; glazed earthenware, all 2019.

Greg Bailey, eight works from the “Future Relics” series. On wall: "Future Relics: Monument 4,” “Future Relics: Monument 8” and “Future Relics: Monument 5"; charcoal on paper. On floor: “"Future Relics: 2,” "Future Relics: 1," "Future Relics: 4" “Future Relics: 5” and "Future Relics: 3”; glazed earthenware, all 2019.

格雷格贝利，八件作品来自“未来文物”系列。墙上:“未来文物:纪念碑4、“未来文物:纪念碑8”、“未来文物:纪念碑5””;木炭在纸上。一楼:“”未来文物:2”、““未来文物:1”、“”未来文物:4””、“未来文物:5”、““未来文物:3”;釉面陶器，全部2019年。孩子们不应该玩死东西，” 2019。蜡、木、煤、钢、纱、纺车。 Cora Lind Rozencohn, still from "Her Anticipation," 2019. Color video with sound, 79:43 min.

Cora Lind Rozencohn, still from "Her Anticipation," 2019. Color video with sound, 79:43 min.

是科拉·林德·罗森科恩(Cora Lind Rozencohn)设计的，仍然是她预计的2019年版”。彩色视频与声音，79:43分钟。 Hattie Hardt, detail from "Transition,” 2019. Mixed-media installation.

海蒂哈特，细节从“过渡，“2019年。混合介质安装。《心理医生》，2019。45个面板上的木炭和石墨。 Lingrong Wang, detail from "Untitled,” 2019. Magazines and clear Nielsen styrene sheets.

王令荣，《“Untitled》，《2019》。杂志和清洁尼尔森苯乙烯片。《阿道夫·希特勒和博利》，《2018》。 Mee Jey, "Central Periphery,” 2019. Fabric, adhesive, foam and motorized display base.

Mee Jey, “Central，”2019。织物、粘合剂、泡沫塑料和电动显示底座。珍·埃弗雷特(Jen Everett)， “听不到的声音，“2019年。”涂料印花、溶剂转移及发现物。

新闻旨在传播有益信息，英文原版地址：https://source.wustl.edu/2019/07/slideshow-mfa-thesis-exhibition/